In the late 19th century, France consisted of many talented poets, each of them had wonderful and interesting biography. Paul Verlaine was one of these prominent poets. No wonder he proclaimed “Prince of poets” and acknowledged master of the symbolic directions. However, neither theorist nor a leader he was not.
Creativity and the personal lives of the poet are inextricably linked. Being unbalanced and passionate nature (so she tells us his biography), Paul Verlaine was constantly entangled in the contradictions of his nature and destiny, and sagged under the weight of difficult life circumstances. But, as rightly said A. France: “it is Unacceptable to apply the same measure to the poet and to sensible people. Paul has the right, missing us, as it is much higher and at the same time far below us all. It is the unconscious creature and that poet who is born once in a century”.
Paul Verlaine was born in Metz in 1844. Because of his father (he was a military engineer) the whole family constantly moved, until in 1851 settled in Paris. Here the future poet spent his school years. In 1862 he received the degree of bachelor of literature. Already in his youth Paul had a predilection for literary work. He constantly recited the poems of W. Baudelaire and poets parnassi T. Gautier and T. de Bonneville. At the end of 1862, the future poet entered the faculty of law to study law, but financial difficulties forced him to leave school and start work.
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In 1866, Paul is published in the journal “Modern Parnas”. He also publishes his own money collection «Saturnina poem”. In the first book Verlaine shows the influence on the author of poets parnassi who refused to “the confessional lyrics of" romantic "seething of the senses”. In their opinion, the main criterion excellent – the perfection of form, "the harmony between subjective and objective”. The early poetry of Paul Verlaine, very clearly reflect this principle. Nevertheless, the poet sees his own unique style, which is characterized by a melancholic tone and the ability to convey to the reader the secret movements of the soul, its “music”.
In the late 60's Paul collaborates with several literary magazines. Also at his own expense he published in 1869 a collection of ‘Delicious holidays». For poetry was characterized by a melancholic-playful form, allowing for a conversational tone. The poet is trying impossible in a traditional versification of the rhymes.
At this time, Verlaine meets 16-year-old girl Matilda. Outbreak passion is inspiring the Field to write a new collection of ‘Good song". The poems included in the book have a common rhythm. The poet's words are gentle and lyrical.
In the Summer of 1870, a collection of "Good song" coming out, and from Verlaine married Mathilde. Young settle in Paris, but the outbreak of the Franco-Prussian war experience makes them the siege of the city. After 1871, the melancholy of Field increases. This contributes to as not existing personal life and the defeat of the Paris Commune.
Family relationships even more complicated after meeting the Field with another French poet. This was the famous Arthur Rimbaud. Anarchism and nihilism solid – these are two worldviews that characterized the work of Arthur and his biography. Paul Verlaine, pushed the young genius decides to break with poetic tradition. He seriously thinks over the content of his poems.
Since the beginning of 1872 Paul Verlaine and Arthur Rimbaud spend all the time together. They travel a lot to England and Belgium. Rambo believes that the Field needs to find new ways of poetry. They often fight and make peace, while in the middle of the 1873 doesn't happen the culminating scandal. Paul Arthur shoots and wounds him in the shoulder. For that Verlaine imprisoned for two years in prison. At will it will be released in January, 1875.
All poems of Paul Verlaine is good, but included in the collection called "Songs without words" are his best poetic achievement. The collection was published in 1874, when the author was in prison. In verses sounded notes of melancholy, sadness and short of oblivion. Some works are reminiscent of the landscapes of the Impressionists, is covered in a gray haze or dissolved in the fog. Thus, there is a clear use of figurative language features and the trend to the synthesis of pictorial and verbal images.
In 1882 Paul publishes verse ‘the art of Poetry”, which was for young poets-symbolists real Manifesto. Although Paul himself did not advise followers of his work to engage in imitation. It is better to create your own original style. In the same year appeared the cycle of the “Accursed poets”, where the author talked about the latest school of poets, symbolists and praised T. Korber, A. Rimbaud, S. mallarmé, and others. the Success of this cycle has allowed the Field to make more of their own works and receive good money. We can say that financially it was the mostthe best time in the life of the poet. This is the end of his biography. Paul Verlaine died in 1896 of pneumonia.
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Alin Trodden - author of the article, editor
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